Do not compromise with your hart. Let the modular play. Not for someone, but for you. A waveform exploration led to this graphic piece sound/music/thought.
I recorded the atmosphere of an opening in paris, a lot of people are chatting, you can hear cameras, the sound of a video, footsteps. It's in the basement, it's high ceilings a lot of reverb.
Impulse response of a 1986 alesis microverb on the large 2 setting. Recorded through a tascam us-1641 into studio one 2, convolution done with voxengo deconvolver.
This is another one of my favourite bass sounds of the yamaha sy85 workstation. I have used this alot in my compositions! though a digital synth, i like the analog-ish bass sounds very much! :) enjoy!.
| - description - |. Wind simulation made with synthetic noise, a low pass filter, resonance and automations. | - made with - |. 3xosc - fl studio. | - uses - |. For projects or whatever i wanted.
This kind of noise consists of a certain number of random values per second. This number is the density. In this example there are 10 random values per second. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.
This kind of noise consists of only values -1 or +1. This produces the maximum energy for the least peak to peak amplitude. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.
Percussion made in blok modular. Kind of morphs around but plenty of bongos and some kind of shaker towards the end. You can maybe get a couple of claps out of the end part too. Sometimes sounds a little too fm-y (think sega genesis sounds) but others sound pretty organic imo.
Noise left after dithering and phase canceling a tone. A tone was created with audacity's tone generator. Another version of the tone was made by downsampling and dithering the original tone in ableton live. I then phase cancelled the two sounds by switching the polarity of one of the tones and blending them back together in audacity. Because of the phase canceling, none of the original tone can be heard. Only the noise added during dithering remains.